![]() ![]() ![]() True, Goyle was one of Draco Malfoy’s goons for the entirety of the series and we don’t like him, but he’s still a child. He is the youngest son of a large wizarding family. There’s no moment or beat to actually process the fact that he just died though. Ronald Weasley is the best friend of Harry Potter and a major character throughout the Harry Potter series. Gregory Goyle is also given a death scene of sorts, in that, we see him plummet to his death. Of course, we still don’t even know if she’s dead. The closest any student comes to receiving a death scene is when we see Lavender being mauled by Fenrir. The impact of that, however, is never felt, nor is the tragedy of their untimely deaths fully realized. ![]() Underage witches and wizards bravely fight against those twice their age with twice their skill. As cool as it was to see the adult witches and wizards show off their skill, ultimately, this fight was taking place at a school, and most of those fighting for the good side were children. ![]() What lacked was the emotional resonance of a full out war. Because you simply forgot what an important character's name was from Part I to Part II isn't reflective of the character suddenly being unimportant to the narrative.Because the film is largely from Harry’s point of view, we mostly are only witness to his mission of finding and destroying horcruxes. Such an acute application of the rule would be just as inappropriate if a film had several female characters engaging in conversation in a film where NO characters are named. The "name" concept is simply there to avoid a pass given to female characters who talk, but whose characterization and role in the narrative is so lacking and unimportant to the film that they aren't named. Harry Potter and the Deathly Hallows Part 2 is over in three and a half hours or so, which is a mercifully short playing time for a game that sells at a too-high 50. Molly Weasley was never named in the film to my recollection, but anyone watching the films know who she is. The naming concept is ludicrously applied here because Petunia Padma or Professor Trelawney aren't explicitly named, with no regard to the context of these characters being part of a series where their names have been introduced and mentioned numerous times, making naming them all over again redundant when viewed as a continuous narrative. The spirit of the test is to demonstrate that women contribute strongly to narratives without being subject to active narrative by men first. The problem with those using this task is that focus on the letter of the test, but not the spirit of it. You can argue that the defense of the castle is mostly an attempt to buy Harry Potter time to complete his mission, but the confrontation between Molly Weasley and Bellatrix is about Molly's desire to protect her child, Ginny, and not about any of the males in her family, a direct attempt to fight Voldemort, or even to support Harry. The exchange between Lily Potter and her sister Petunia is an exchange meant to display Lily's blossoming power and how it causes a wedge between her and Petunia, who rejects her out of jealousy and calls her a freak. McGonagall defends the castle with her own power and her own agency. Several female characters (with names, even if not stated in this movie) demonstrate their agency and outside of reinforcement of the main character. If "he test is checking here for whether female characters have their own agency and significance to the film or whether their only role is to reinforce the role of a male character," then HP:7-II would definitely pass. This is, after all, a series written by a woman who straight-up invented a middle initial in order to hide her lack of a Y chromosome from potential adolescent male customers, and who has retained that obfuscating pen name long after gaining the clout needed to cast it off. Compare any of these movies to the deeply flawed yet unabashedly female-centric "The Golden Compass", and see the extent of the disparity. Enter your location to see which movie theaters are playing Harry Potter and the Deathly Hallows: Part 2 near you. A potentially grim statement of the obvious, of course. You all know this.īut, as with many Bechdel Test ratings, this one has touched a nerve, in that it shows women - yes, even Increasingly One-Note Hermione - for the supporting/minor Potter players that they are. Daniel Radcliffe in Harry Potter and the Deathly Hallows: Part 2. Quoth Victor: "The test is checking here for whether female characters have their own agency and significance to the film or whether their only role is to reinforce the role of a male character."Īs a fan of the first four books/movies who's often annoyed that the rest of the series nearly always gets the free pass that it does, I must confess to some entertainment at reading certain above comments vainly attempting to will this movie into a Pass. ![]()
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![]() The priestesses of Isis were healers and midwives, and were said to have many special powers, including dream interpretation and the ability to control the weather by braiding or combing their hair, the latter of which was because the ancient Egyptians considered knots to have magical power. In consequence, as well as the attributes of motherhood and fertility originating in Hathor, Isis became a goddess of magic. ![]() Amun-Ra/ Atum-Ra) into telling her his "secret name", by getting a snake to bite and poison him, so that he would use his "secret name" to survive. In order to resurrect Osiris for the purpose of having the child Horus, it was necessary for Isis to learn magic, and so it was that Isis tricked Ra (i.e. This lead to the evolution of the idea that Osiris needed to be resurrected, and so to the Legend of Osiris and Isis, a myth so significant that everything else paled in comparison. However, it had to be explained how Osiris, who as god of the dead, was dead, could be considered a father to Horus who was very much not considered dead. By merging with Hathor, Isis became the mother of Horus, rather than his Wife, and thus, when beliefs of Ra absorbed Atum into Atum-Ra, it also had to be taken into account that Isis was one of the Ennead, as the wife of Osiris. It was this merger with Hathor that proved to be the most significant event in the history of Egyptian mythology. Sometimes the alternative consideration arose, that Isis, in the Ennead, was a child of Atum-Ra, and so should have been a child of Ra's wife, Hathor, although this was less favoured as Isis had enough in common with Hathor to be considered one and the same. Consequently, since there was not anything logically troubling by identifying Isis as Ra's wife, Hathor unlike identifying Ra as his own son, she and Hathor became considered the same deity, Isis-Hathor. The tale describes both why Anubis is seen as an underworld deity (he is a son of Osiris), and why he couldn't inherit Osiris' position (he was not a legitimate heir), neatly preserving Osiris' position as lord of the underworld.īeliefs about Ra himself had been hovering around the identification of Ra, a sun god, with Horus, another sun god (as the compound Ra-Herakhty), and so for some time, Isis had intermittently been considered the wife of Ra, since she was the wife of Horus. In fear of Set's anger, Nephthys persuaded Isis to adopt Anubis, so that Set would not find out. They coupled, resulting in the birth of Anubis. The ploy failed, but Osiris now found Nepthys very attractive, as he thought she was Isis. The tale describes how Nephthys became sexually frustrated with Set and so disguised herself as the much more attractive Isis to try to seduce him. Isis and Nephthys were often depicted on coffins, with wings outstretched, as protectors against evil.Ī later legend, ultimately a result of the replacement of another god of the underworld when the cult of Osiris gained more authority, tells of the birth of Anubis. ![]() As a funerary deity, she was associated with Osiris, god of the underworld ( Aaru), and thus was considered his wife, whereas Nepthys was the wife of Set. ![]() In another area of Egypt, when the pantheon was formalised, Isis became one of the Ennead of Heliopolis, as a daughter of Nuit and Geb, and sister to Osiris, Nephthys, and Set. Consequently, on occasion, her mother was said to be Hathor, the mother of Horus. This association with the Pharaoh's wife also brought the idea that Isis was considered the spouse of Horus, who was protector, and later the deification, of the Pharaoh himself. More specifically, Isis was viewed as protector of the god Imsety. Thus she gained a funerary association, and was said to be the mother of the four gods who protected the canopic jars. As the deification of the wife of the pharaoh, Isis protected the dead body of the Pharaoh, since this was seen as an intrinsic part of her job as royal protector. ![]() ![]() ![]() The original series was set in the ’70s, but the new spinoff will take place in the ’90s, specifically 1995… ironic since That ’70s Show debuted in 1998. Why is the spinoff called That ‘90s Show? Who is in the That ‘90s Show cast?Īside from Smith and Rupp, Netflix hasn’t shared who else will be starring in That ’90s Show. We know that the spinoff will include at least one new series regular when the role of Red and Kitty’s granddaughter is cast. Thanks for signing up! Please check your email to confirm your subscription. That ’70s Show co-star Wilmer Valderrama enthusiastically commented on the post, “Yes yes yes!!!!!” ![]() When news of the spinoff was first reported, Smith took to his Instagram to celebrate, joking, “Who says I can’t keep a secret?” alongside a winking emoji. The duo, who played Eric Forman’s parents in That ’70s Show, will be That ’90s Show series regulars, as well as co-executive producers. Kurtwood Smith and Debra Jo Rupp will be reprising their roles as Red Forman and Kitty Forman, respectively. Will any original That ‘70s Show stars return for the spin-off That ‘90s Show? Production on the spinoff is still in its early days, but we’ll be sure to update as more information comes out! How many episodes will be in Season 1 of That ‘90s Show?įans can look forward to 10 episodes of That ’90s Show when it arrives on Netflix. ![]() ![]() 8, does not have a release date just yet. The multi-cam series, which was announced on Oct. Related: That ’70s Show: Then and Now What is the release date for That ‘90s Show? When That ’90s Show arrives, it will be available to stream exclusively on Netflix. Instead, the upcoming series will jump two decades into the future to the ’90s, and while times have changed, as That ’90s Show ‘s logline notes, “Sex, drugs and rock ’n roll never dies, it just changes clothes.”īefore you “say good day!,” here is everything we know so far about the That ’70s Show spinoff, That ’90s Show. There are, however, a number of hints as to where it might go.It seems that in the follow-up to That ’70s Show, Eric, Kelso, Jackie, Hyde, Donna and Fez won’t be doing the same old thing they did last week (give or take a handful of years). This means that fans who want to watch the show online can only do so on Amazon, which is offering episodes to purchase for $1.99 an episode.Īs for when That '70s Show will be returning to a streaming service, no one has yet announced that they are taking the show. In just three months of 2019, for example, 131 million episodes of the show were watched on the streamer.ĭespite the show clearly being a big hit for Netflix, the service has not decided to renew the licensing deal for That '70s Show, meaning the show is currently not available on any of the major streaming services. The show has been streaming on the service since 2012, with the show thought to be one of the most-watched classic comedies on the streamer alongside Friends, The Office, Parks & Recreation and New Girl. That '70s Show's eight seasons suddenly left Netflix earlier this September, leaving the Mila Kunis and Ashton Kutcher comedy without a streaming home. ![]() ![]() ![]() Take a loop around the square to find your favorite pieces. The artwork in Jackson Square is so unique. Grab Some Cool Artwork or Get Your Palm Read in Jackson Square Grab a photo and then turn around and take a walk along the Mississippi River in the Moonwalk Riverfront Park. Jackson Square also gives you a great view of the famous St. Hang around this area long enough and you’re sure to see some amazing stuff! Street performers gather huge crowds and put on some outstanding shows-from dancing to admirable acrobats. Just across the street from the world-famous Cafe du Monde. Jackson Square is right in the heart of the French quarter. Watch a Performance at Jackson Square and Admire St. Make sure you have some cash on you to tip these awesome musicians. ![]() The music in New Orleans is second to none. The houses have interesting intricate details, and are often laced with ironwork, and flickering gas lamps.Īs you’re wandering the streets keep your ears and eyes open for parades or sidewalk bands. You’ll see many stores and houses with smaller buildings attached to them-old slave quarters. There is a glorious mix of French and Spanish influence present in a lot of the architecture of the French Quarter. Don’t be afraid to get lost in all of the wonderful streets. Streamers, plants, and masks in brilliant purple-green-and yellow dangle from balconies. The French Quarter features fantastic street performers, art, shops, restaurants, bars, poets for hire, and to top it all off- it is beautiful. Wander the French Quarter and Admire the Architecture When you head back to the airport, leave at least 2-2.5 hours before your flight departs to ensure you won’t miss your flight! 10 Things to do on a New Orleans Layover 1. If necessary, drop off your bag in storage before you head to the French Quarter. The ride should be about 30 minutes and should cost around $30. Ask the driver to drop you off as close to the French Quarter as they can get. If you didn’t check a bag, take a look at Luggage Hero and Verto to help you find storage for your bag while you’re exploring the city. Bring a purse or backpack for your day trip. There are places to store luggage, but this will add time and hassle to your excursion. If you know you will be exploring the city on your New Orleans layover, make sure 99% of your luggage is checked to your final destination. Each additional hour layover will give you another hour in the city. How long do you want to walk around New Orleans? If you only need 1 hour in the city, I would say make sure your layover is 4 hours. Things to Know if You Have a New Orleans Layover How Much Time Do I Need? ![]() ![]() Rather than just playing a typical airhead, Deutch uses her adept comic timing and characterization to make Madison her own. Deutch has shined again and again in films like Vampire Academy, Everybody Wants Some!!, and Set It Up, and she steals every scene she’s in with Double Tap. The strongest new element by far is Madison with Deutch once again showing why she’s a star. None of these ideas build to anything, but they’re fun enough when taken piecemeal. Wouldn’t it be fun if Columbus hooked up with the polar opposite of Wichita? Tallahassee was all about Twinkies in the first movie, so what if now he’s really excited to go to Graceland because he loves Elvis? Maybe there should be a scene where Columbus and Tallahassee meet their doppelgangers. Double Tap doesn’t have that arc and instead feels like a smattering of fun ideas that were cobbled into a script. The arc of the first Zombieland is that you have these four misfits who don’t really trust anyone, and they learn to become a family. Wernick & Reese still know how to tell good jokes, Fleischer shows more flash than he has in any film since the first Zombieland, and the cast continues to gel even if it’s clear they don’t really know what to do with Little Rock so she’s little more than a plot device. No one really swung for the fences here because everyone’s in their comfort zone, and oddly enough, it works. With the exception of Little Rock now being in her early 20s rather than a tween, Double Tap is a movie that could have easily been made a couple years after the original, both in terms of character development and its comic sensibilities. When we check back in with these characters, it doesn’t feel like they have ten years of history under their belts. The group heads out on a new road trip to reunite with Little Rock as evolved, harder-to-kill zombies continue stalk the wasteland.ĭouble Tap has the feel of a movie where everyone got back together because they had a good time making the first movie and the studio wanted a sequel rather than having a story that needed to be told. Wichita comes back to the White House for some help only to find that Columbus is now shacking up with the ditzy Madison ( Zoey Deutch), who he and Tallahassee found surviving at the mall. The sisters decide to leave, but after picking up a pacifist hippie, Berkeley ( Avan Jogia), Little Rock and the hippie take the car and head off to parts unknown. Little Rock wants to find friends her own age and bristles under Tallahasse’s parentage even though he means well. Columbus wants to marry Wichita, but she’s not sure she wants to make that commitment. Picking up about ten years after the original, Columbus (Eisenberg), Wichita (Stone), Tallahassee ( Woody Harrelson), and Little Rock ( Abigail Breslin) are still together and have set up shop in the White House, but tensions are starting to build. Rather than trying to reinvent what made the first movie work or offer a bold new approach, Double Tap is a collection of goofy gags and charming new characters that make the sequel a nice companion to the original. Instead, the original creative team and cast of actors have reunited for another fun mishmash that’s surprisingly delightful even if it never feels necessary. All of this is to say that Zombieland: Double Tap is not coming back to sacred ground like Zoolander 2 or Anchorman 2. You probably can’t quote a single line from Zombieland, but we all had a good laugh at the Bill Murray cameo. Far from it, the movie holds up surprisingly well as a blend of sweet and cute tone mixed with R-rated comedy. That’s not to say that Zombieland is a bad movie. It was a sleeper hit in 2009, it helped further boost the careers of rising stars Jesse Eisenberg and Emma Stone, and was a breakthrough for writers Rhett Reese & Paul Wernick as well as director Ruben Fleischer. ![]() ![]() ![]()
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